2011 in Gilman music
I've decided to put together a top 45 list out of some of the albums I've listened to in the past year. This isn't a list of top albums that came out in 2011, it's a list of my personal favorites that I first heard in 2011. I was able to get in one album on most nights in the spring but slacked quite a bit in the fall. If you like any one band on here I encourage you to check out the others.
Bonus drinking game: take a drink every time Stereolab is mentioned.
Bunnygrunt - "1000% Not Creepy" (Single, 2009) I firmly believe it is impossible to be creepy when listening to this song. Unfortunately all the Youtube videos are poor quality live recordings.
Panty and Stocking with Garterbelt - "D City Rock" (2010) NSFW. This almost made the list. "I get high being nasty."
Blonde Redhead - 23 (2007) I think this song is fantastic but the rest of the album comes up short.
The Frank Popp Ensemble - Hip Teens Don't Wear Blue Jeans (2005) This song is catchy.
Rebecca Black - Friday (2011) Single of the year.
50. Low - C'mon (2011) Low's newest album after a gap of a few years. This is the same old minimal Low but a bit catchier like the songs on The Great Destroyer. The music video for "Especially Me" tickles all of my fancies.
49. Pipas - A Cat Escaped (2002) Out of the handful of Pipas records I listened to over the year I liked this one the most. I can't say I've listened to it too much since though.
48. Warpaint - The Fool (2010) Warpaint's making good music. Unfortunately when I listen The Fool I think most of the songs go on far too long.
47. All Girl Summer Fun Band - Looking Into It (2008) The AGSFB lost a bandmate and some of their vocal harmony along with her. The result is an album a bit more minimal and reflective than their earlier works.
46. The Boo Radleys - Learning To Walk (1990) This was released between Ichabod and I and Everything's Alright Forever. Musically it bridges the gap from the lo-fi Ichabod to the shoegaze Everything.
Modular - Fantasías De Un Robot Psicodélico (2009) They successfully copied Stereolab's Mars Audiac Quintet and played the moog just like Stereolab does. Unfortunately they forgot to make good music and filled the album with moog wanking.
Low - Long Division (1995) After the critical success of their first album (I Could Live In Hope) I think Low heard "What a beautiful voice Mimi has!" and decided to cut out everything that wasn't Mimi. This album is completely unenjoyable.
Grandaddy - The Sophtware Slump Deluxe Edition (2011) The deluxe edition appends a CD full of junk recorded around the same time. It gets your hopes up with "XD-Data-II" and wanders off after that.
Secret Shine - The Beginning And The End (2010) This was a bad release by a good band. For some history, this band broke up sometime in the mid-90s after putting out plenty of good shoegaze music and got back together in 2008. After the reunion they released another album (All of the Stars) that was pretty good which makes this one all the more disappointing.
Les 5-4-3-2-1 - "Bond Street" (1996) Japan destroys everything I love.
I've listened to On Fire on and off for the past few years but I had never bothered to check out the rest of their discography. Part of my motivation for listening to a new album every day this year was to catch up on artist discographies. This Is Our Music shares the brooding feeling from On Fire yet it manages to lighten up its gloom a bit. Today is still suitable for snowstorm listening and snuggling. I might even enjoy it a bit more than On Fire. I've yet to listen to This Is Our Music but hopefully I can get around to that in 2012.
>lo-fi, alternative rock, hipster bullshit
I've seen this album on a few 2011 album of the year lists and I've also read some arguments that it shouldn't be rated so well. The album's fuzzy 90s-inspired sound is totally unoriginal and meant to trigger a sense of familiarity and comfort among receptive listeners. The comforting lo-fi sounds draw some to the album (sometimes enough to put it onto an AOTY list) and turn others away because there's nothing new here. I caught on to Yuck's shenanigans on my first listen through and decried the album as hipster bullshit. However, I was a fan of that lovely lo-fi drone and a few replays later it's managed to land on this list.
>slowcore, minimal, lo-fi
I Could Live In Hope, Things We Lost In The Fire and Secret Name sit together in a kind of trilogy of Low's most depressing and minimal albums. Secret Name isn't quite as lo-fi as I Could Live In Hope or as critically loved as either predecessor but it still hits the same sad notes. This album is a wonderful companion into a crushingly depressing world made of bleak winter months and finals weeks and deserves a seat at the table with all the other slowcore greats. You can jump in anywhere on this album, it's got solid songs throughout.
Weight of Water
>bossa nova, lounge, organ
I'm a huge fan of Walter. However, most of my music is acquired over the Internet and his rather large discography only has a few albums digitized off of vinyl. When a friend mentioned she had access to a copy of this album I was very excited. This is another solid album by the Bossa Nova organ master which calls for a relaxing listen with your alcoholic beverage of choice. Looking towards the future I did see an album of his that I've never heard before at the Antiquarium in the Old Market. If I can borrow a turntable I will definitely pick that one up in 2012.
>doom, sludge, instrumental
To be honest listening to this album was my very first introduction to doom metal. I've felt out a few bands beyond Bongripper but I know very little about doom. Hopefully I'll be getting in a few more doom albums in 2012. I'm still not a fan of screamed metal vocals so on Satan Worshipping Doom I enjoyed its total lack of vocals in addition to its heaviness.
Boris released three new albums this year: Attention Please, Heavy Rocks (sharing the exact same name of an earlier Boris album) and New Album. It's always been tricky to label Boris but up until this year it's been fair to say they've bounced between stoner rock and doom metal from album to album. With this year's releases Boris tossed out Heavy Rocks with their usual stoner metal sounds, Attention Please with this ethereal, ambient sound and New Album with what approaches J-Pop. It's very strange to describe anything that Boris, the kings of drone has released as J-Pop but here we are. Attention Please is the first Boris release with Wata on vocals and she's been able to contribute to a beautiful new sound on this album. Out of the three albums released this is the strongest and I welcome future Boris experimentation in this direction.
This year I was totally swept up by Electrelane. At the start of the year No Shouts No Calls was one of the very first albums I listened to but it wasn't until the end of the year when I finally got around to filling out some more of their discography. I was under the mistaken assumption that Shouts was their only good album, but I now realize that Electrelane is pretty consistent and that they've been steadily improving on their sound. Rock It To The Moon prominently features Electrelane's droning organ that takes a back seat on later albums. This album is by no means bad; it has far more in common with the later albums than it doesn't. It's just not as refined as the others. It's still worth a listen when you're feeling like Electrelane. I highly recommend sitting through the discography chronologically to see how things progress.
>shoegaze, mermaid boobs
I finally got around to listening to Alcest's follow-up to Souvenirs D'Un Autre Monde. Alcest decided to keep with the shoegazing and put out an OK record. Fans of shoegaze and everyone who liked the first album should give this a shot. I can't say I've listened to it too much though.
Êcailles De Lune - Part 2
I think I was introduced to The Dandy Warhols through a comparison to The Limiñanas. Now that I've got to listen to both bands I'm not entirely sure where the similarities exist but I'm glad I was introduced to this band anyway. I'm addicted to the song (and music video) for "Bohemian Like You" more than I'd like to admit. "Bohemian" is here to be the catchy single but the rest of the album is also good. The opening three tracks are straight up shoegaze and fit together into a dreamy trilogy about religious beliefs. "Sleep," "Solid" and "Big Indian" are satisfying alt rock songs. The rest of the album isn't bad, it's just not very memorable. Despite my love of this album and "Bohemian" I have yet to branch out to the rest of their discography, something I'll have to do in 2012.
This is a solid pop album and a forgotten 90s gem. I highly recommend it to any pop fans and encourage curious shoegazers to give it a try. Panic On's got a bit of noise to it and Mary Larson's voice is very dreamy. I was bored by this album on my first listen through so you might want to give it some time to sink in. I have no excuse for the album artwork though. What the hell is it supposed to convey? I think I see a smudge of rose madder in there which is kinda topical but on the whole I'm not getting it. Maybe that's why this album is so forgotten. I've listened to a few other releases by Madder Rose and Saint Low and can recommend Bring It Down for fans of this album. Unfortunately I've yet to listen to Hello June Fool and Tragic Magic. I'd like to be able to track them down in 2012 and hopefully they won't be as terrible as Saint Low.
Everyone's had a chance to listen to The High Road by now. If you decide to continue on and check out the rest of their album you'll find it's very solid and a relaxing listen. It's plenty accessible and I can't imagine anyone hating this.
Sometime over the summer I learned about this album: a sequel to the classic Getz / Gilberto. It was like finding out you had a twin and nobody bothered to tell you. This album is a live recording done in Carnegie Hall and lives up to its ancestor. Stan Getz is just as good on the saxophone on this album. About halfway through the album Astrud Gilberto joins the group on stage and sings along for the rest of the recording. Unfortunately the live setting and some weird mixing makes the second half kind of boring. I'd still stay it's worth a listen for anyone who likes bossa nova.
It Might as Well Be Spring
>synth pop, club pop
Oh man, this is such a cool album. For a while I had discounted this because I'm not a fan of synth pop but the house influences and cute vocals here made a great album. Be sure to give this a listen, you'll be grooving along for at least a little while.
The following albums are better than Abbey Road:
Here's an album full of upbeat music with depressing lyrics. It's a bit lo-fi and has excellent female vocals and harmony. I think it's a pretty clever album overall.
Everyone's The Same
Alison's Halo was a shoegaze group from the early 90s. They weren't popular at all but a tape (Eyedazzler 1992-1996) with bits of an album has survived. This tape is spectacular and made Alison's Halo one of my all-time favorite shoegaze bands. This summer I tracked down a few more singles by Alison's Halo and learned about Insta, the band started by both members after they shuttered Alison's Halo. Insta put out some singles I haven't been able to track down, one album (Checklist For Love) and one EP (Horn Rim Fury). Both albums are excellent pop music but the star of the show is the vocals of Catherine Cooper. In the Alison's Halo days her voice pushed their sound into incredibly dreamy territory. This dreaminess has been pulled back a bit with Insta to bring things back to Earth and give Insta some smoky romanticism. I wish I could link a YouTube but they're pretty obscure (under 5k plays on last.fm) and have no YouTube videos that I can see.
Yo La Tengo's still got it! I have a feeling the YLT fanclub passed on this album with a meh but the band is still moving forward in a good direction. This album holds its own against YLT at their best. If you liked I Am Not Afraid... and the steps it took away from the softer Yo La Tengo sound you'll like this album because it's a continuation in that direction.
Here To Fall
New And Groovy is one of those albums I filed away years ago intending to listen to it eventually. I dug it up while cleaning and enjoyed it immensely. This is an excellent jazz record which calls for a glass of whiskey and half an hour of reflection. Johnny Lytle is a vibraphone virtuoso and is backed by a very capable piano and band. Both the highs and lows of this album grab your heart and make you pay attention. I won't fault you for singing along to "The Shadow Of Your Smile" - I've probably done it a half dozen times now. I'm definitely looking forward to hunting down more Johnny Lytle records in 2012.
It's impossible for anyone alive in the 90s to escape Nirvana or this album which makes it hard for me to say anything at all. Turns out it's a solid album all the way through. When I heard this year was the 20th anniversary of its release I decided to give it a spin because I hadn't given the entire album a fair listen. Give it a try if you've only heard the hits before.
Smells Like Teen Spirit
A Lifetime of Temporary Relief is not an album but a massive collection of rarities and B sides from Low's entire career. It's packed onto 3 CDs with around 80 minutes of music on each. Getting through all of this Low took me nearly a week in March and burned me out on the band until winter. If you are a fan of Low I highly recommend taking the time to get through this. Most of the songs are in the incredibly depressing, minimal Low style and a few of the demos add in some lo-fi noise to that mix. If you enjoyed their first album I Can Live In Hope you owe it to yourself to hear the two demo versions of "Lullaby" and "Cut." As far as I can tell they're from Low's very first demo tape. Both songs are caked in tape hiss and stretch out the already lengthy, minimal songs.
Pinkshinyultrablast (stealing their name from an Astrobrite album) has only released this single EP so far. Just these four songs are enough to shove it up onto this list and produce some of the best noise-influenced shoegaze you'll ever get. This EP is absolutely worth the time for any shoegaze fan and will probably crawl its way into your heart as well.
The Moldy Peaches is the fuzziest, most lo-fi album on this list and will instantly win over any lo-fi nuts on that note alone. However, this album doesn't just appeal to handfuls of lo-fi nerds and hipsters - some clever lyrics and heartfelt delivery gave it sticking power after "Anyone Else But You" was featured in the movie Juno. This album is a fun listen and you should give it a shot! I think some of the more romantic songs ("Lucky Number Nine," "Jorge Regula," "Nothing Came Out," "Anyone Else But You") deserve a listen. You never know when it might come in handy - be prepared.
Steak For Chicken
>twee, boy-girl vocals
This album and Lacrosse's later album Bandages For The Heart are both catchy, upbeat twee pop. They're also similar enough to be balled up together in the same review. I do believe that this is the better album though so it gets placement on this chart. I've been listening to both albums for the entire fall semester - mindless pop and tax homework go hand in hand. I enjoy the album but I have hardly anything to say about them. The lyrics are kinda weird: they're like poetry written independently of the music and are actually quite depressing. I recently looked at the lyrics to My Stop and saw that the song's actually about suicide. If you're willing to put the strange lyrics out of mind this is a great album.
The original pressing of this album was small and was mostly forgotten. However, I guess enough hipsters heard it and liked it to get a re-release in 2005 giving us the copy I have today. The organs and some of the vocal harmonies remind me of Stereolab so that's a plus. The album starts out with "I'll Come Runnin'" which sounds like any number of 60s girl group songs. Stereolab did draw a lot from 60s pop but this isn't the height of their similarity to The Groop. The waltzing, slightly dissonant organ in "Zzotto" departs from pop and turns toward Stereolab's brand of rock. The rest of the album returns to their 60s contemporary pop sound. All of this music put together produces an enjoyable album.
>bossa nova, lounge
Stereolab's never been shy about their lounge influences. I've heard Tim Gane is a huge record collector and is a fan of Brazilian lounge. Copacabana is Tim's chance to make straight up bossa nova and he nailed it! This is just a movie soundtrack so it lacks the unity of an album but I still found it very enjoyable. I'm not sure a full album done like this would turn out well so I'm happy with what we've got.
Un Bar, Un Soir
>alternative rock, lo-fi
After releasing three albums the band Urusei Yatsura ran out of steam. Graham Kemp, one of the founding members, split for other projects and the band continued on under the name Projekt A-Ko. Yoyodyne is the only record released so far by the band. With this album they've gone to an even more lo-fi sound than they had on We Are Urusei Yatsura, the most lo-fi of the Yatsura albums. With Graham leaving Fergus picks up more of the vocals here and he's come up with a slightly more dreamy sound. Elaine's also singing backup on the record for the first time and it doesn't sound bad at all. "Supertriste Duxelle" is the most attention-grabbing song here with some nice guitar fuzz. "Scintilla," "Ichiro On Third" and "Here Comes New Challenger!" sound like they could have been on We Are Urusei Yatsura. If you enjoyed Urusei Yatsura and can get behind Fergus' new vocal style you'll find this album a refreshing new take on Yatsura.
Electrelane decided to change things up a bit on this album. Rock It To The Moon had a very consistent, droning sound which has been traded away here for some exuberantly excited indie rock. There's a lot of shouting on The Power Out - something new - but there's also a lot of similarities with the rest of their discography. The prominent crescendos from No Shouts... show up on "Oh Sombra!," "This Deed," "Gone Under Sea" and "Only One Thing Is Needed." The organ featured heavily on Rock It To The Moon can be heard dominating the songs "Love Builds Up" and "The Valleys." Electrelane also pulled in a choir for "The Valleys" which sounds fantastic and is a testament to their versatility. Anecdotally I love how this live recording of On Parade has the crowd doing the little squeal thing. This album is a bit more adventurous than Electrelane's other work and I think it rewards the listener well.
For most of the spring semester I was able to listen to a new album each day and Gold was the first great album I heard during that period. This album isn't from the dream pop side of shoegaze but has more noise rock influences instead. The first half is very upbeat noise rock but after "When You Feel The Mess" things slow down and get a bit more reflective. The dreamy vocals persist from the first half of the album and fit perfectly into the second half making the whole mess come together. I listened to an extended re-release version which tacked on a few B-sides to the end. Out of those "La Vainqueur" is good enough to make the album. I thought this album was very catchy (I had it on repeat for most of February) and I think it's a good introduction to shoegaze outside of My Bloody Valentine and its clones. Anecdotally I was recently looking at the music video for "A Housewife Love Song" and it's incredibly boring. I'm shocked that someone could take something as awesome as spinning and make it uninteresting.
A Housewife Love Song
>gothic rock, lo-fi, slowcore, some bitch screaming in a garage
I've read that this album is part of a bigger revival: it's kin to witch house and the modern 80s synthpop inspired bands and 2012 is looking like it may contain an 80s revival. We'll have to see how that plays out. This album is meant to be haunting and achieves its goal. Chelsea Wolfe's heavily distorted voice is prominent in almost all of the tracks here and accomplishes most of the spookyness. The lo-fi music backing her for the entire album does the rest. There's also a soundscape track "To The Forests, Towards The Sea" which showcases how effectively her lo-fi backing can be spooky. I think this album has a lot more in common with slowcore than what anyone else is saying. I think slowcore fans may enjoy this album because of how depressing, minimal and slow this album can be, particularly on "Moses" and "Pale on Pale."
Minimum Chips are a mostly unknown band from Australia. I think they've pretty much stopped making music and this is one of their last releases. They're not that derivative of Stereolab but the comparisons to Stereolab are going to follow them anyway. "Alaska," the first song on this album, introduces you to the band's droning vocals and organs and "Hong Kong," the last song on the album, drags you out the way you came in. "Know You Too Well" is their shot at a pop song and is a nice change of pace. "Marble Arch" and "Goodbye" (especially the former) sound like something Stereolab would write. Eventually you'll come to "Treats" which I think is the "Jenny Ondlione" of this album. You should absolutely give this song a shot - it's incredibly catchy. If you can figure out what the lyrics are please write back to me because I'd love to find out. Finally, "Trouble Free" is the kind of post-rock I think you'd see on Transient Random Sound-Bursts With Announcements. When confronted with such a massive, album-conquering song like "Treats" you've got to get a bit of post-rock wanking involved to wind things down. To extend the analogy, "Trouble Free's" companion on Transient Random would be "Analogue Rock." If you can get your hands on any Minimum Chips (acquiring some of their rare releases was a small triumph in UNIX wizardry for me) I'd recommend listening to it.
This album is the first and only release by Tiger Trap, Rose Melberg's first band. I'm not super familiar with her later projects (it's something I want to explore a bit in 2012) but out of what I've heard this is one of her best releases. The music here is straightforward twee. "Supercrush" and "Chester" are notable because they break away from the timid twee style and put on an epic feel. "For Sure," a vengeful breakup song, is the pinnacle of this album. Tiger Trap isn't very long but definitely is one of the best twee albums out there. If you can get into "Puzzle Pieces," the first song on the album, you'll probably find the album exciting and enjoyable but short.
Puzzle Pieces (really bad Youtube quality)
I had no idea "ritual folk" was a thing until I was introduced to The Masters. Given how much I've enjoyed Totem One this fall it's definitely something I'll be investigating in the new year. I can't help but feel like a 6000 year-old monster rising from the depths of the ocean to crush humanity when listening to "Schism Prism / Adamantios." This album is the first part of a trilogy and I got a chance to listen to the other two during the year. They feature a transition away from the heavier ritualistic sound on this album to a more humanistic sound. I don't disagree with their transition - their experimentation still sounds great - but it didn't bring me to enjoy the later albums nearly as much. I think other Bukkake lovers prefer the later albums putting me in the minority. I heard that they were playing with Boris on the west coast which sounds like an incredible show. I'd love to go to a Bukkake show but I have a feeling it would be a sausagefest on multiple levels.
People Of The Drifting Houses
Akuma No Uta is heavier than Heavy Rocks and you can rock out to every song. I find it impossible to not headbang on "Naki Kyoku" even when working on accounting homework. Anecdotally I have yet to listen to anything by Nick Drake (Akuma's album artwork references his Bryter Layter) but I will hopefully turn that around in 2012.
I find it hard to imagine that anyone alive in the 90s could escape hearing "Cannonball." At some point in the year I heard good things about The Breeders in general and decided to check out this album. Turns out the entire thing is filled with excellent, noisy rock. "Drivin' On 9" is a random country song on the album and showcases Kim's voice, another strength of the album. After one listen I was hooked.
Stan Getz's Getz / Gilberto is one of the greatest albums ever released. Unfortunately for Stan all of his other albums are always going to be ranked up against this high bar. This album features a great live performance by Getz and deserves a spot high up in the rankings of Stan Getz albums. Astrud Gilberto accompanies him again and does the vocals on "Corcavado" (but not as good as her husband on the first Getz / Gilberto), "It Might As Well Be Spring" (a great little lovestruck song), "Eu E Voce," "Only Trust Your Heart" (one of Astrud's best), "The Telephone Song," "One Note Samba" (a legendary performance) and "Here's That Rainy Day." For Stan Getz this album contains some of the best performances of his career. If only I could be there that night and see this performed live. I really recommend listening to "One Note Samba" if you get the chance but I couldn't find a suitable quality copy on Youtube.
Corcovado (Quiet Nights of Quiet Stars)
I know there's a tradition of good pop music from France going back to the 60s but I don't know anything about it. However, this doesn't keep me from enjoying The Limiñanas. They've done everything right here and this is one of the most fun albums I've heard all year. I'm constantly getting the urge to jump up and call my friends to start a garage pop band when listening to it. The starter track "The Darkside" sets you up with the band's lo-fi sound and crisp female vocals. "Funeral Baby" is one of the high points of the album and also confuses me the most. The chorus is just the phrase "Funeral baby" repeated over and over. What on Earth could they be singing about that would make that an appropriate chorus? Well, I asked the band on Facebook and they said it was about a widow finding the perfect song for her lover's funeral. This answer still doesn't satisfy me. "Chocolate In My Milk" is twin to "Got Nothin' To Say" and got me to enjoy ukulele music. I used to read BoingBoing and after the millionth post about cute girls playing the music I've hated ukuleles until now. "Tigre du Bengale (inst.)" is incredibly catchy like the full "Tigre" and "Mountain." I think it's also worth mentioning that this band has an incredibly minimal sound. I was personally shocked to see how big the band was when watching them on YouTube. "Je suis une go-go girl" is a great song even if you're dying to know how the lyrics relate to being a go-go girl. The closer "Got Nothin' to Say" is one of those melancholy ending tracks. It fills its role beautifully and is one of the best tracks on the entire album. The Limiñanas is over far too quickly and I look forward to their future releases.
I first listened to Bunnygrunt on a whim. They were tagged as "cuddlecore" on a website and my curiosity totally overcame me. As I understand it cuddlecore is twee pop but with punk influences. I don't think it really needs its own genre but it's definitely a fun label to use. I gave the album a listen but resigned that night thinking it wasn't that good. However, I came back the very next day with Bunnygrunt stuck in my head and was obsessed with them for the rest of the summer. The album as a whole is very short and is packed with incredibly short songs. At the end you're left wanting more but while listening to it you're amazed at how much Bunnygrunt can pack into a 2 minute song like "Wild Summer, Wow!" The girls in Bunnygrunt have a lot more vocal harmony on this album compared to the rest of their discography. However, that's not to say that I don't enjoy the songs where Matt sings along too like "Good Tiger, Bad Tiger" and "Names of Trees." Unfortunately the rest of the band's discography isn't nearly as good as this album.
>alternative rock, noise rock
This is a great and underrated album. I hoped to put it higher in this list but the competition is stiff. If you take this album and split it into the two sides of the LP the first has all of the catchy Yatsura hits and the second has the slower, more reflective songs. I heard "Kewpies like Watermelon" from the first half was the most popular off this album and got some radio play in England. "Siamese" and "First Day on a New Planet" sound like they should be reversed - "First Day" is the better opening song. However, "Siamese" is one of those songs that's good but doesn't fit with the other songs on the album so you're kind of stuck putting it out by itself. The music video for "Phasers on Stun" is awesome and reflects the wild energy of the song. The music video doesn't play the dissonant "Sola Kola" (the second half of the song) so be sure to listen to the full album version. Although I loved Urusei Yatsura's sound from the first listen it took me a couple of album plays to get into the second half of the album. "Velvy Blood" and "Black Hole Love" help lower the energy level from the peaks of the first half of the album in addition to being great songs. "Plastic Ashtray", the best song on this album, is this wonderfully relaxed song covered with guitar fuzz. Its lyrics recall feel-good topics like future love interests, reminiscing about parties and good times with friends. The single version (also used in the music video) cranks up the noise even more. Finally, "Kernel" is the understated hero of this album. It took me a few listens but now whenever I listen to that song I sit at the edge of my seat eagerly expecting the second chorus. By the time you're done with the album you can't help but feel good about yourself, your life and your state.
Electrelane's had small but consistent improvement from album to album and No Shouts wraps up this progression with a very polished finish. There isn't a bad song on this album and I find myself engrosed in the entire thing when listening to it. I've held off on comparing Electrelane to Stereolab so far because I personally don't see too many similarities. However, now that I'm sitting down and picking apart things with a critical eye I can understand why people would compare the vocals to Stereolab's Mary Hansen. Stereolab's krautrock influences were very heavy-handed. Electrelane shows some krautrock influence (especially on this album) but they're still not as obvious as on Transient Random for example. Finally, it's also worth noting that there are a few more tracks on this album with nonsense lyrics or no vocals than in their past releases, which helps create the dreamy feel throughout the album.
>alternative rock, shoegaze, 2011 album of the year
There's nothing new or exciting on this album but that doesn't mean you won't have a great time listening to it. All of these noisy guitars and dreamy vocals have shown up in earlier times and different scenes. This album goes back and forth from the drowsy ("Blackbird," "Dropouts," "Higher Path") to the energetic ("Airport Scene," "Free Form Future"). The noisy guitars are a constant but never repetitive. I also appreciate how the band's able to take songs and stretch them out a bit without boring the listener or requiring endless crescendos. It's almost like Stereolab put out an alternative rock album! I didn't listen to many records released in 2011 but this is the best out of those few. This is my 2011 album of the year.
Download the entire album for free
It's finally time to review Pink. I had always punted Boris away to the back of my mind and wasn't that motivated to check them out. During the fall semester I saw that they were playing in Omaha and I decided that this was an opportunity not to be missed. I started digging into their discography right away. Their live show was excellent and managed to fit together songs from throughout their history - something I personally thing is quite the feat because of their diversity. They do tour with a gong and you know shit's about to go down when Takeshi abandons his drum kit to wail away at the gong. Seeing Wata play live was also pretty cool. There's this huge disconnect from seeing this tiny little woman standing in front of you and the incredible sounds she makes with her guitar. Boris has always been hard to pigeonhole but this album definitely sits on the noise and stoner rock side of their discography. However, even within this album Boris has "Blackout." an incredibly heavy doom metal song meant to throw a bone to fans of that side of Boris. There's also "My Machine", "Farewell" and "Just Abandoned My-Self" at the end of the album which do the same thing for fans of Feedbacker and Flood. "Just Abandoned My-Self" deserves a special mention because it brings together the noise rock from the start of the album with some excellent droning. I feel this album deserves a wider audience than it gets and was made to be Boris' ambassador for bringing people over to the noisy side of rock. It certainly worked on me.
>classic, prog rock
What is this album doing here? I know I've listened to Wish You Were Here outside of 2011. However, when I went back to look at my records it looks like I was just listening to a few songs and hadn't given the entire album a fair listen until now. This album is an absolute classic and is completely worthy of all of its praise. I consider the album as a whole to be the greatest memorial tribute anyone could give to any other human. I think that both parts of "Shine On You Crazy Diamond" are a bit intimidating at first but after giving it a fair listen everyone can come around and enjoy them. "Welcome To The Machine" is an excellent song but after letting it sink in I feel it's probably the weakest song here. I don't mean that as any kind of slight, it reflects more on how amazing the rest of the album is. "Wish You Were Here" is a deeply moving and beautiful song and something everyone should play every now and then. Everyone owes it to themselves to listen to this album.
Wish You Were Here
Wish You Were Here is a hard album to follow. Le Futur Pompiste gets here by playing to my personal favorites: this album sounds like the pop songs off of Mars Audiac Quintet mixed in with some twee. The biggest draw here is Jessika Rapo's clear and very distinct voice (almost like Laetitia Sadier) and the constant organ, a novelty for many twee bands. The lyrics on this album are often depressing with "Pretend To Smile" and "Don't Let Go" explicitly so. That's the contrast Le Futur Pompiste is going for here: upbeat pop music paired with those depressing lyrics. For whatever reason I also think the bass is excellent on this album. "Seeds" also deserves a special mention. I always thought it was the odd one out on the album: not only does it sound totally different than the rest of the album but it's the last track and kind of hanging off the end. At some point in time I Googled the lyrics and found out it's about some weirdly phrased apocalyptic warnings. "Seeds" makes them closer to Stereolab than at any other point of the album with its forward-looking lyrics and repetitive, droning krautrock. Their self-titled followup isn't a terrible album and some of its songs ("Girls Of Those Days") aren't bad. However, it still doesn't hold up against Your Stories for reasons I'm unable to pin down. I listened to Your Stories And Your Thoughts so many times over the summer I feared I'd burn myself out on Le Futur Pompiste. Luckily they found their way into my body of study music instead.
A Way To Exist
>shoegaze, alternative rock
Raise is celebrating its 20th anniversary in 2011 along with another shoegaze classic, Loveless. Unfortunately Raise has been forgotten and left for the shoegaze fanatics but it's an excellent album. Both are distinctly shoegaze although they cover very different ground. Loveless has its trademark dreamy vocals and lyrics about drugs and sex - if you can understand them. Raise goes for a harder alternative rock sound and its lyrics are about escapism and acceptance - adolescent fantasies. Driving away from your problems with your friends at your side is the dominant theme here and is explicitly stated on "Pile-Up" and about half the album. The shoegaze wall of sound perfectly backs up these emotions and makes it excellent driving music. "Sci-Flyer" also deserves credit for its sneaky Kafka reference. "Rave Down" is another high point on this album and is also the most shoegazey song here. Unfortunately after this album Swervedriver moved away from shoegazing into alternative rock. I had no idea that Swervedriver released anything like this having only listened to their later albums. This album also took a bit of time to sink in with me but was definitely worth keeping around. I guess you could even argue that listening to Raise in a sterile, silent environment instead of a car on the open road takes away some of the charm. This album is one of the best shoegaze albums and gives originality to a genre filled with My Bloody Valentine clones.